Ever since I was a child in Mexico City, I felt the need to create with my hands. I would play and sculpt with anything in my reach. I didn’t possess any fancy toys, so my favorite material was modeling clay. I would make my own action figures and when I was finished playing. I would knead the clay in to a ball to start over again the next day. This hand-mind exercise was the actual beginning of my career.
I work by instinct, through an internal dialog that I can’t ignore. The ideas dictate the medium, thereby fostering a strong relationship between the images and materials. I draw inspiration from my heritage, personal observations and childhood memories. I alter the same ideas by taking different approaches with various materials, such as with the “guitar/woman” series. I prefer to communicate visually, in a poetic manner, making similarities in the creation of life, music, and art. I pay tribute to women who create life; through conception, they create music and the masterpiece of a new person. Often, my musical pieces become exaggerated seedpods, also representing the evolution of life. I can’t let go of my work until I am satisfied, until I achieve the ideal state of expression. Only then am I able to see that my visual “talk” can speak clearly to those who view it.